I picked up my band sampler again last week, and scanned the list of embroidery stitches I intend to learn and/or practice. Not to be all emo-14-year-old, but the chain stitch jumped out at me as a nice way to reflect the experience of the past month.

I free-handed the text and stitched it on the subway to and from work for a few days using Sharon B‘s hand-dyed mulberry silk. The variagation is so vivid! I really enjoyed the process.

I was surprised at how well the chain stitch handled curves, but a little disappointed in starts-and-stops. Still, I got good practice with it.

If you’re interested in giving chain stitch a try, here are some good tutorials:

• Mary Corbet‘s brilliant chain stitch video.
• Purlbee has good instructions with photos.
• Erika Kern shows you how on Craftystylish.
• Primrose Design teaches chain stitch and also twisted chain stitch.
• SharonB‘s instructions are excellent as always.

 One of the things I do with my clients a lot is give them a little distance from their artwork. I hold up a painting far from their face, which provides a new perspective and sometimes facilitates insight.

Looking at these photos of the section (a form of distance) lends itself to some funny realizations. For instance, I see how some of my confusion and consternation from last week may have seeped into the work.

I had originally intended to do some sort of starburst or circular pattern with the knots, but this image kept coming back to me. Almost like molecules or birds rushing toward some intended end but running into an invisible barrier. Ideas and thoughts and scenarios getting backed up — stopped up and hung up — to impede any progress at all. People rushing for an exit, in danger of being trampled. Something that seriously needs to get unstuck.

If you’re interested in trying your hand at french knot, here are some tutorials:

• A video from Getting Stitched on the Farm
• Purlbee’s tips and tricks
• Mary Corbet’s excellent video tutorial
• Primrose Design has very clear photos
• Sublime stitching for righties and lefties
• Katxena on Craftster.org did a tutorial post with good tips

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With the completion of the counted cross stitch Obama, the first panel of my band sampler is finished. Again, I hid my full name in the header for privacy’s sake.

I’ve had some questions about band samplers in general, so here’s a bit more info:

When I caught the embroidery bug late last year, I decided that I wanted to move beyond my early education of cross stitch, back stitch, and french knots. I found tutorials and stitch dictionaries online and became excited at the prospect of learning traditional embroidery stitches.

I began to read up and found that old classic samplers (you know the ones — an alphabet, a bible quotation, a cross-stitched house with trees) once functioned as part of the education of young girls and women — to teach stitches. I figured that if I could learn about the standard form of traditional samplers, I could design my own mod sampler (like this one, by Mary Corbet) with the same purpose of learning.

In my reading and research, I came across SharonB and Annie’s band sampler projects. A band sampler (a long strip of fabric) was sometimes created by women who were learning stitches. It could be rolled up and tucked into a sewing box, where it would serve as a future reference. SharonB and Annie both include little biographical and current-events snippets in their samplers, and this thrilled me, given my long history of journaling (both written and visual).

So, that’s how I got into the band sampler and, for me and my style of working and exploring things, it seems pretty perfect. It suits my rhythm of exploration and it satisfies my desire to document change and progress. All in all, I am really enjoying it.

Especially now that I am done with that darn cross stitch.

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I mentioned before that I burned out on counted cross stitch when I was a teenager. However, at the beginning of my band sampler I wanted to document all of the stitches I already know. Naturally, this includes cross stitch.

My aversion to it was so strong, however, that I had decided to count my name at the top of the sampler as my homage to counted cross stitch. That is until I found out that Julie from Subversive Cross Stitch was offering a pattern of Shepard Fairy‘s iconic Obama poster for free.

Because I’d like the band sampler to also function as a kind of visual journal, and because I was so moved and elated during the time of the election, I knew it would be a great inclusion. So, here is the counted cross stitch portion of my band sampler.

If you’d like to try your hand at cross stitch, here are some tutorials and links:

• Animated instructions from Subversive Cross Stitch
• Stitch School at Primrose Design
• SharonB’s Stitch Dictionary
• Please read these instructions from the Cross Stitch Centre with a British accent. (Lots of info here about fabrics, needles, beginning/ending, etc.)

I sped through this project, and there are lots of errors and missteps. But, it’s done and I can walk away from cross stitch again, for now.

How about you? Do you have any media or projects that you dislike? Have you ever moved past dislike back to enjoyment?

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Recent social obligations (out-of-town guests, dates that I knew would end up at my place, drop-by visits from the neighbor’s kids for playdates with the dogs, etc.) have necessitated a quick and temporary return to regular, adult living.

What I mean by this is that I have temporarily reclaimed my kitchen. Sadly, my sewing machine (which had resided on my kitchen table for months) has been packed up and put away for the past couple of weeks.

No more late-morning hem repairs as I run off to work. No more lauching into elaborate patchwork projects “because I have a few minutes.” No more midnight sewing marathons to buzz away my insomnia or inexplicably-motivated Adventures in Buttonholes.

Maybe that’s okay, though, as it has allowed me to turn my attention to more handwork, embroidery, and other machineless modes. I’ve finally started the band sampler and hand-bound the baby quilt. I’ve been exploring a bit with hand-pieced quilting and such. My hands have needlepricks and callouses where there was once fingerprint.

I may pull the machine out again this weekend to do some finish work and some mending. A part of me kind of hopes not, though. I’m enjoying the quiet.

Someday, a two-bedroom apartment.

How about you? Do you have a dedicated workspace, or do you double-dip rooms, as I do?

Continuing with the idea of starting the band sampler with stitches that I already know, I dive in to the Back Stitch. For many years, Back Stitch and French Knots were the only stitches I knew, besides Cross Stitch. I did this up in an evening (note the little pop of orange) a few days before the Academy Awards.

I only mention the Academy Awards because why isn’t everyone talking about that one backdrop on the ceremony stage!? During the presentation of the awards for Best Documentary, there was an amazing, art-deco-esque, scrolled thing that was really beautiful and reminded me of my Back Stitch motif.  

Maybe we were all too dazzled by the feats of human strength performed in front of it — but this is the only photo I could find of the backdrop (and it came from the Academy Awards official website). Although the video quality is very poor, you can also see the entire segment on youtube and drink in the deliciousness of a scroll-y, swirl-y stage.

If you’d like to try your hand at Back Stitch, here are a few tutorials:

• Sharon B’s Stitch Dictionary
• Primrose Design’s Stitch School
• Mary Corbet’s Needle ‘n Thread Video Tutorial
• Sublime Stitching diagrams for righties and lefties

In the meantime, please share! Do you love scrolls and swirls? Do you hate them? Are there other good stitching tutorials online?

Made some progress on the band sampler this week. I decided to start by documenting the stitches I already know — the very most basic, beginning with running stitch.

I like this tiny font, and I feel like it’s going to let me narrate the work as I go. The flowers, leaves, and dots were done with some thread I bought from a bazaar in Mexico a few years ago. It’s very fuzzy and textured.

The first stitch I chose was running stitch — the easiest stitch of all. I was heavily influenced by Mandie’s sampler, and used variegated floss for the first time. In fact, I pretty much used every variegated floss from my collection!

If you’d like to try your hand at running stitch, try these tutorials:

• Sharon B’s Stitch Dictionary
• Primrose Design’s Stitch School
• Mary Corbet’s Needle ‘N Thread video tutorial (with additional information about ending threads)

I ended up doing about twice as many rows of running stitch as I originally intended. As I got into it, I got sort of swallowed up into it. Like knitting, it was easy to get lost in the repetitive, meditative quality of this repeating pattern. If you look closely, you’ll see spots where I got off the track and this usually happened if I lost focus for some reason or started to fatigue. I had to decide whether to go back and un-do and re-do. For the most part, I decided not to. After all, I reasoned, the purpose of the sampler is to practice and learn. It’s always good for me to start a project by accepting its imperfections.

How about you? Is it difficult for you to accept imperfections in your work?

I finally got a jump on the band sampler and finished a simple header. This picture shows it before I finished cross-stitching my name, but I thought it was neat that I could photograph it to look like my blogging handle, Mal*. When the full name is completed, all of the words are flush right with the “2009″ and the “Band Sampler.” Although it looks great finished, I am trying to keep my full name off of this blog for now.

I had read that quilters traditionally stitched a spiderweb into their quilts for luck. I thought it might be nice to start off this project on a lucky foot, but didn’t want a cartoon-y, Halloween-y spiderweb. Instead, I studied some photos of real spiderwebs in corners, then used Annie’s spiderweb tutorial to make it all hang together.

The spider is made from two beads and I think he turned out pretty well, but a bit cartoon-y and Halloween-y because I didn’t take the time to study pictures of real spiders. I used to be a real arachnophobe, but I started to do art of insects and spiders and it helped me get over the fear to see them more as beautiful and intricate.

Other people doing band samplers who have inspired me:

• Sharon
• Annie
• Stitching Bush Walker
• Mandie

…all the short, and cheap, and easy ways of doing that whose difficulty is its honour — are just so many new obstacles in our already encumbered road. They will not make one of us happier or wiser — they will extend neither the pride of judgment nor the privilege of enjoyment. They will only make us shallower in our understandings, colder in our hearts, and feebler in our wits. And most justly. For we are not sent into this world to do anything into which we cannot put our hearts. We have certain work to do for our bread, and that is to be done strenuously; other work to do for our delight, and that is to be done heartily. neither is to be done by halves nor shifts, but with a will; and what is not worth this effort is not to be done at all.

—John Ruskin, The Seven Lamps of Architecture

Made progress last night toward starting a band sampler: edged the 6″ strip of linen (backed with light cotton), sank a center line for anchoring, got a good night’s sleep.

I learned to embroider when I was a very young girl. As a sometime-farm-girl, I learned all of those skills necessary to become a good, midwestern housewife. Most of the skills stuck (though I do still struggle with knitting and tatting, and have never canned produce without an older relative providing guidance) and I go back to them, periodically, in their turn.

My exposure to embroidery, as was true for most crafters in the 80′s, was comprised mostly of cross-stitch. I did learn to do simple backstitch (mostly to define the facial features of my cross-stitched Precious Moments figures) and running stitch. My grandmother taught me to do french knots, and called it candlewicking. But, after completing a large piece at age 14, I burned out on cross-stitch and put the needle down for good.

Well, I put it down until a couple of months ago, when I suddenly became consumed with stitching. I also googled for tutorials, and found blogs like Mary Corbet’s Needle ‘n Thread and Primrose Design (especially her Stitch School). It didn’t take me long to realize that while I had been taught a few embroidery stitches (and I had become adept enough at making my own designs out of straight stitches and knots), there were huge gaps in my actual embroidery knowledge.

Knowing that samplers in Britain and the US were used to teach young schoolgirls how to stitch, and wishing I could go back and learn/re-learn the basics of traditional embroidery, I decided to seek out a sampler pattern. That way, I reasoned, I could be learning while I make something purposeful.

I found one sampler online that interested me, designed by Mary Corbet.

Then I found Sharon B.’s Pin Tangle and Annie’s Crazy World blogs. These women, real-life friends, each work on a band sampler. In her archives, I read Sharon’s musings about autobiographical textiles — the use of stitching as a journal. Annie does it, too and, are you kidding me? A combination of stitching and journaling? I am in love!

It’s time for me to pull out the linen I bought before Christmas and finally start work on my own band sampler. After all, Knowing is not enough; we must apply. (Goethe)

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